Category Archives: Arts & Artists

Art and artists made in Whistler.

Cameras and Museums: How Photographs Help Preserve History

No one can deny that Whistler is an extremely photogenic place.  With the valley’s majestic mountains, clear blue lakes, and abundant wildlife, it has been a beautiful getaway for lovers of the outdoors for over a century.  Many changes have taken place over those years, and the Whistler Museum and Archives Society (WMAS) is fortunate to have an extensive photo collection that documents most of it.  It is amazing how much the valley has changed over the decades, and the ability to actually see the differences through photographs is a great asset for the preservation of Whistler’s history.

A display of 1980s ski fashion, captured by photographer Greg Griffith.

If any of you follow the Whistler Museum on social media, you know that we have some very interesting photos in our archives.  One of our largest photo collections is the Greg Griffith Collection.  Greg Griffith is an Australian-born photographer who moved to Whistler in 1973 to ski.  He went on to have a successful careers in photography, showcasing Whistler’s natural beauty and documenting over 30 years of Whistler’s history.  Donated to the Whistler Museum in 2009, the collection is made up of thousands of Whistler-related photographs, ranging in subject from skiing and snowboarding competitions, to mountain tours and dramatic scenery.

Another of the Museum’s larger photo collections is the George Benjamin Collection, which was donated in 2010.  George Benjamin is a semi-professional photographer, who moved to Whistler in 1970 after staying in Toad Hall for a ski vacation.  He co-owned a well-known cabin called Tokum Corners until the 1980s and opened a photography store called the Photo Cell in Creekside, following after his family members, who owned a photo-finishing business in Ontario.  He lived in Whistler until the 1980s, and took many impressive photographs of the area during his time here.

George Benjamin captures the scene at Jordan’s Lodge on Nita Lake in the 1970s.

The Museum is also proud to house the Philip Collection, which includes photographs taken during the Rainbow Lodge era.  These photos illustrate the beauty of Whistler while it was still an undeveloped fishing retreat, and offer an interesting comparison between the Whistler Valley of the early- to mid-nineteenth century, and the Whistler of today.

Myrtle and Alex Philip stand outside Rainbow Lodge in the 1930s. Philip Collection.

There are so many other aspects of the WMAS photo collection that we won’t be able to cover in this article, but they all play an enormous part in illustrating the valley’s colourful history.  From early horseback riding trips, to present-day Crankworx festivals, the trusty camera is always there to help preserve our history.  The WMAS collection currently includes over 170,000 photographs, which may seem like a lot, but we are always looking for more.  We are especially eager for photographs related to snowboarding and mountain biking in Whistler, photographs documenting life as mountain staff members, as well as photographs from the 1990s to the present.  With the tenth anniversary of the Olympics coming up, we’re hoping to expand our Olympic photographs collection, too.  Any photographs related to Whistler are extremely useful, though, and if you’re interested in donating to the Museum, please get in contact with us!  You can send an email to our archivist, Alyssa Bruijns, at archives @ whistlermuseum.org.  We would love to be able to add your photos and stories to the larger Whistler narrative.

If you’re interested in viewing part of our photo collection, you can go to www.whistlermuseum.smugmug.com, where you can order prints of any archival photo we have digitized.  You can also follow us on Facebook or Instagram, where we often feature photographs from the WMAS collection.

Whistler’s First Adventure Film Festival

In 1986, Whistler held its first Whistler Adventure Film Festival (WAFF), an event not all that different from the Whistler Film Festival’s sixth annual Adventure Film Series that takes place on the Victoria Day weekend in May as part of GO Fest. (The museum also ran some Valley of Dreams Walking Tours and a Discover Nature station as part of the festival; if you missed us, our Valley of Dreams and nature tours all start up again daily June 1 and Discover Nature will be back at Lost Lake for July and August!).

Often when films arrive at the museum, they look a bit like this.

The WAFF was co-sponsored by the Whistler Resort Association (today known as Tourism Whistler) and organized by One Step Beyond Adventure Group of Canmore, Alta., which also organized the Banff Festival of Mountain Films (today known as the Banff Mountain Film Festival) at that time.  Set to take place over the third weekend of November, WAFF was timed to excite attendees for the coming winter season and the adventures that might await them.

The films selected featured various “adventure activities” including skiing, white-water sports and climbing expeditions.  In total, the festival screened 11 films over two days, with a reception on the Friday evening featuring David Breashears.

In 1985, Breashears became the first American to summit Mount Everest more than once, having already completed the climb in 1983.  By the time he appeared at the WAFF, he had already won an Emmy for an ABC Sports special Triumph on Mt. Everest, which featured the first videotape microwave transmission from the summit.  According to the Squamish Citizen, at the opening reception Breashears was going to show a selection of his film accomplishments as well as talking about his career and the search for Mallory and Irvine, who disappeared during their 1924 Everest expedition.  Following his talk was a screening of Everest – North Wall, Laszlo Pal’s account of the 1982 American China-Everest Expedition narrated by Robert Redford.

Filmer Garry Pendygrasse, one of our “Filming Mountains” presenters from 2013, hauling gear around the Tantalus Range. Dan Milner photo.

Over the next two days, the WAFF screened more films, including three on sailing, an Irish film Beyond the North Wind about the 1981 Irish Arctic Expedition to Northern Ellesmere Island, a CBC/BBC collaboration Hell and High Water documenting a kayak and raft adventure through the Grand Canyon of the Stikine, and To the End of the Earth, a film recording the exploits of the Trans-Globe Expedition.  Two of the New Zealand ski films shown at the WAFF, Incredible Mountains and Across the Main Divide, are available for viewing today online at NZ On Screen.

The WAFF does not appear to have been long lived as we can find no evidence of it in our research binders after 1986.  Today, however, there are plenty of opportunities to view adventure films in Whistler.  The Whistler Film Festival‘s Adventure Series each spring features many of the same sports and adventures that could be seen in 1986, though some have evolved over time.

You can even catch some of the Banff Mountain Film Festival World Tour in Whistler each February, brought to town by Escape Route.  Since it began in 1976, the festival has grown to include a World Tour in which a selection of the best films from the festival go out on tour in approximately 305 cities in over 20 different countries.

George Benjamin’s Candid Whistler

The Whistler Museum’s archive houses many documents, printed material, films, oral histories, and photographs from Whistler’s rich cultural past, from the arrival of Whistler’s earliest pioneers to the journey of hosting the Olympic Games.  It’s a treasure trove of interesting facts and unique stories that are unapologetically Whistler.

One of the first major collections I (Brad Nichols, Executive Director/Curator) catalogued while working in the archives as an intern at the Whistler Museum in the summer of 2011 was the George Benjamin photograph collection.

George Benjamin, originally from Toronto, Ontario, first came to Whistler in 1968 on a ski vacation, staying at the infamous Toad Hall.  George, on “Benji,” as he was more commonly known, would move to Whistler in 1970.

George was a semi-professional photographer.  His family back in Ontario owned a photo-finishing business, and this allowed him to develop his photographs for free – a handy asset in the days before digital photography.

George Benjamin himself holds his catch at the dock of Tokum Corners. Benjamin Collection.

The George Benjamin Collection consists of 8,236 images from the late 1960s to the early 1980s.  Photos in the collection include images of early Whistler Mountain Ski Patrol, Soo Valley Toad Hall, Gelandesprung ski jump competitions, summer days spent at many of Whistler’s lakes, parties, and everyday shots of living and working in Whistler.  This might be the most candid representation of Whistler during this era in our collection.

Photos don’t usually get more candid than this. Benjamin Collection.

Folks living in Whistler during this time would have had more in common with Whistler’s early-20th century pioneers than with the Whistler of today.  Many residents were still using outhouses, had little-to-no electricity, and relied on wood stoves for their cooking needs.  George’s photos capture this pioneer lifestyle, but with the added element of the counterculture movement of the 1960s and 1970s – and, of course, people that loved to ski.

George’s residence in Whistler was the infamous Tokum Corners.  This cabin – which was once home to Whistler Museum Board Chair John Hetherington, had no running water, and was often repaired with found materials – would become one of the cornerstones of social life in the valley.

Tokum Corners, as seen across the tracks in 1971. Benjamin Collection.

George, who had access to 16mm film equipment, would often shoot on Whistler Mountain, capturing his days following ski patrol blasting and partaking in avalanche control.  These film vignettes would be screened at Tokum Corners, usually with Pink Floyd’s Dark Side of the Moon playing over top to ever-growing crowds.

The Photocell, covered in snow. Benjamin Collection.

George opened the Photo Cell photography store in Creekside around 1973.

He later became a commercial fisherman in the late-1970s.  He moved from Whistler back to Toronto in the early 1980s and now lives in Port Perry, Ontario.

George generously donated his collection of photographs and negatives to the museum in 2009.  The bulk of George Benjamin’s photos are available on the Whistler Museum’s website here.

If you  have any interesting stories, films, or photographs from Whistler’s past, we would love to hear from you.

Singing Through Whistler’s History

For this week, I decided to write about something that has always defined Whistler for me.  No, not skiing, but choir!

I first came to Whistler with my high school choir for the 2010 Whistler Music Festival, and returned again in 2013.  I joined the Whistler Singers when I came to town last September, and we received a donation at the museum of concert programs, membership lists and song listings from a choir member several months later.  With all this in mind, I set to work scouring the archives for anything that could help construct a history of choirs in Whistler.

The Whistler Singers under the direction of Molly Boyd.  Whistler Question Collection.

The earliest reference found was a photograph of the Myrtle Philip School Choir in the December 20, 1978 edition of The Whistler Question.  As the school had only opened in 1976, this shows that musical education was available from the very early years.

Another Question photo, dating from 1979, shows a group of young vocalists referred to as the “Community Club Christmas Carol singers.”  Various BC choirs gave performances in Whistler in the 1980s, including the Squamish Youth Chorale, a Vancouver a capella group Vox Humana, and the Kildala choir from Kitimat.

Whistler’s first adult choir – the Whistler Singers – began in 1982 with just nine people.  It may have started small, but the members’ shared passion for music would carry them on to become Whistler’s longest-running community arts group.  Welcoming “anyone aged 13 to 113,” it regularly performs at Remembrance Day and Christmas Eve carol services and performs an annual spring concert.

It was an Easter sunrise service without sunshine, but that didn’t stop approximately 80 people from attending the special 7 am service Sunday morning on the shores of Lost Lake. Molly Boyd, playing the organ, led the Whistler Singers who also turned out in full force.  Whistler Question Collection.

In April 2003, the Whistler Singers – now 45 strong – released its debut CD, Ascend.  The album included Canadian classics, folk anthems, traditional scores, and songs in Hungarian, Welsh, Japanese, Korean and Swahili.  Juno-award-winning sound engineer Don Harder lent a hand with the recording and local photographer Leanna Rathkelly designed the album’s cover.  This milestone was celebrated with a release party at the Maury Young Millennium Place (now the Maury Young Arts Centre).

The Whistler Children’s Chorus is another time-honoured staple of the Whistler musical scene.  This group began in 1991 when a Vancouver orchestra performing Noye’s Fludde, an operatic version of the story of Noah’s Ark, sought a children’s choir to sing with them.  Whistler Singers director Molly Boyd rose to the occasion and assembled a group of youngsters aged six and up.  The following year it formally became known as the Whistler Children’s Chorus.  In addition to regularly yearly concerts (including Remembrance Day and Christmas Eve services with the Whistler Singers), the Chorus has performed in Ottawa for the 2002 Canada Day and at events leading up to and including the 2010 Winter Olympic and Paralympic Games (they got very good at singing O Canada!).

The Whistler Children’s Chorus performing Hakuna Matata, 1995 Photo courtesy Whistler Childrens Chorus

Another children’s choir, the Moving Chords Youth Showchoir, was also active in Whistler in the 1990s.  Information about this group has proved hard to find, but it performed at Our Lady of the Mountain Catholic Church in the summers of 1998 and 1999.  A thank you card from the choir directors to their sponsor, the Whistler Community Arts Council, can be found in the museum’s collection.

Since the turn of the millennium, Whistler has drawn in musical talent from around the world.  Choirs and small vocal ensembles from outside Canada that performed here in the early 2000s included the Cwmback and Dunvant Male Choirs from Wales, the Dursley Male Voice Choir from Gloucestershire, the British quartet Cantabile and Huun Huur-Tu, throat singers from the state of Tuva in Siberia.

Wherever you are from, Whistler is sure to bring a little music to your life.

Holly Peterson is the archival assistant at the Whistler Museum and Archives.  She is here on a Young Canada Works contract after completing the Museum Management and Curatorship program at Fleming College (Peterborough, Ontario).