Tag Archives: Charles Hillman

Tales of Toad Hall: Beyond the Poster

In the spring of 1973, a group of residents who had been renting a property together took a photo as a memento before they moved out. Fifty years later, that photo is best known as the Toad Hall Poster and is widely recognized for its nudity and carefree spirit. While many people who come into the Whistler Museum know of the poster, we’ve heard a lot of different origin stories for the image and a range of names for those featured.

If you had arrived in the Whistler area in the late 1960s and asked where to find Toad Hall, you might have been directed to an entirely different building than the one featured in the Toad Hall Poster. The first Toad Hall in Whistler was a house built beside Nita Lake by Alf Gebhart in the 1950s. Alf and his wife Bessie moved their family to Alta Lake in 1936, when Alf purchased a sawmill and lumber camp. After operating the mill for some years, Alf built a house where he and Bessie lived until the closure of the their sawmill. The house was then occupied by their son Howard and his wife Betty while Howard was working for the railway. When they left the valley as well, the house was sold to Charles Hillman, a teacher living in Vancouver.

The Gebhart/Hillman/Toad Hall house on Nita Lake. George Benjamin Collection.

Hillman began renting out his house soon after lifts opened on Whistler Mountain in 1966 and it was some of his tenants who gave it the name of Toad Hall. Tenants came and went over the next few seasons and by the time Hillman decided that he wanted to start using his house as a ski cabin in would appear that none of the original tenants he had rented to were left. Those who were living there were reportedly amicably evicted and the Toad Hall name moved to a different property.

Before it became known as Toad Hall, that property operated as the Soo Valley Logging Camp. The camp, which included a collection of small cabins, was located at the north end of Green Lake, across the lake from the Parkhurst mill site. The logging camp can be seen in the background of some of the photographs taken by the Clausen family, who lived at Parkhurst in the 1950s. By the 1970s, however, the mill at Parkhurst was long closed and the Soo Valley Logging Camp no longer housed loggers.

If you look closely, the red roofs on the other side of Green Lake from Birthe and Ron Clausen are some of the buildings of the Soo Valley Logging Camp. Clausen Collection.

In the early 1970s, the Soo Valley property housed skiers looking for affordable housing near Whistler Mountain. The entirety of the property was reportedly rented for $75/month (adjusted for inflation, that would be just over $500/month today), which could be quite reasonable when divided amongst enough residents. By 1973, this second Toad Hall was a popular place to find a party or a bed. Unfortunately, however, for those who found a home there, the buildings were scheduled to be demolished that summer and their days at Toad Hall were numbered. The end of Toad Hall was marked by the creation of the Toad Hall Poster.

While we know some of the stories behind Whistler’s Toad Halls, there are a a lot of things we don’t know. How did two different properties on two different lakes come to be named after the home of Mr. Toad from Wind in the Willows? In a time long before there were dedicated Facebook groups for housing in Whistler, how did people hear about and find Toad Hall from across the country?

The building best known from the Toad Hall Poster. George Benjamin Collection.

We’re looking forward to finding out more about Toad Hall from a few former residents on Wednesday, April 26 (tomorrow evening!), when we’ll be joined by John Hetherington, Terry “Toulouse” Spence, and Paul Mathews at the Whistler Museum for our next Speaker Series. Tickets for the event are, however, sold out. Find out more here.

Everything is Connected

You never know when you’ll find a connection in Whistler’s history between two seemingly unrelated subjects.  A recent donation to the museum showed an unexpected connection between the Chateau Whistler Resort and the topic of last week’s post, Toad Hall.

While clearing out some offices, staff at the Chateau came across a large book full of press clippings dating from 1987 to 1993.  This book was donated to the museum and provides a pretty comprehensive picture of the proposal, development and opening of the Chateau Whistler Resort, as well as Blackcomb Mountain, Whistler Village and the resort in general (it even includes an article on the historical bus tours that used to run in Whistler).

From the contents, the book appears to have been compiled by Debbie Williamson, then the director of sales at the Chateau.

In 1987, when the clippings begin, Intrawest Properties Ltd. was actively developing the 254-acre (103-hectare) site at the base of Blackcomb, now known as the Benchlands.  As part of this larger development, Canadian Pacific Hotels had plans to build what would become Whistler’s biggest hotel.

The Chateau Whistler Resort in 1996, after the addition of 221 rooms and the well-known Macdonald Ballroom. Whistler Question Collection.

With a budget of $50 million, the Chateau Whistler Resort was to include a ballroom, banquet room, meeting rooms, indoor and outdoor pools, six tennis courts (including two covered courts), a dining room, restaurant and a 200-seat discotheque, all scheduled to be open for the 1989-90 ski season.  An 18-hole golf course was also to be built, though it was not expected to open until the summer of 1990.

The Chateau Whistler Resort was officially given council’s conceptual approval in August 1987.  Despite some problems with the asphalt tiles of the roof (John MacKenzie, in the Whistler Question, thought that “The roof looks like it was designed by Jimi Hendrix, with the mottled green and white”), the Chateau was ready to open on schedule in November 1989, with almost everything from the original plans (unfortunately there was no discotheque).

The Chateau’s opening on November 17 was well covered by The Province, and it is here that the connection between the grand hotel and Toad Hall appears.  The first guest to be presented a key by general manager Dave Roberts was a Mrs. Winnifred Mather Hillman, who was given the stay at the hotel as a surprise birthday gift by her husband Charles.  Charles Hillman (as mentioned in last week’s article) was the owner of the first Toad Hall, a house originally built by Alf Gebhart.

The first Toad Hall, 1969. Benjamin Collection.

The clipping continue on until 1993, including a piece from August 1990 about the issue of the roof.  There had been concerns about the use of asphalt tiles instead of slate or another material from the beginning, and council was not too happy with the resulting “mottled green colour”.  The Chateau had been ordered to re-shingle, but the process was deferred and the hotel was later given the option of paying a “fine” of $140,000 to be used for community projects instead.

The museum would like to thank the Chateau for their donation.  If you find a piece of Whistler’s history while clearing out an old office, garage or attic come visit us at the museum.

Toad Hall: The Poster Returns

With the holiday season fast approaching we’ve started taking particular notice of holiday-themed photos in our collections.  These photos can vary from Whistler Mountain ski instructors dressed up as reindeer to Santa finding hidden powder to Season’s Greetings from the Philip family.  One of the more interesting holiday photos shows a roasted turkey in a wood burning stove called “Master Climax” (so named for the make of the stove).

Master Climax Turkey Glory – Christmas Dinner at Toad Hall in 1969! Benjamin Collection.

This stove was part of the kitchen set up at the first Toad Hall, one of Whistler’s most famous (or infamous) lodgings.  This Toad Hall was built by Alta Lake resident Alf Gebhart, who first came to live in the area in 1936.  In the mid-1960s, Alf sold his property to Charles Hillman, a high-school teacher working in Vancouver.  Charles, in turn, rented his property to a “respectable-looking” father with two daughters.  The rent was paid consistently and on time, though after a while the names on the cheques started to change.

By the time Charles Hillman decided to start using his cabin to ski, unbeknownst to him, the property had been renamed Toad Hall and was gaining a reputation across the country.  Charles arrived to find a young resident from Montreal cooking breakfast, evidence of a campfire in one of the bedrooms, and sleeping quarters set up wherever possible, including the chicken house.

The first Toad Hall, 1969. Benjamin Collection.

With help from the RCMP in Squamish and a court order, the residents of Toad Hall were amicably evicted, with enough time given for a farewell party.

By the 1970s, the Soo Valley Logging Camp, near the northern end of Green Lake, was no longer in use by the forestry industry.  This became the second incarnation of Toad Hall.  Perhaps the best known image of Toad Hall, the Toad Hall Poster, was taken here.

The second Toad Hall was scheduled for demolition in the summer of 1973.  (Though no buildings remain today, some photos of Parkhurst donated by the Clausen family show the in-use camp across the lake.)

The Toad Hall Poster.

That spring, knowing their time there was limited, residents gathered with their ski gear and little else for a memorable photo shoot set up by photographer Chris Speedie – 10,000 copies of this poster were printed and sold for two to three dollars each.  Copies were distributed along the World Cup ski circuit by Terry “Toulouse” Spence.

Over the decades, copies of these posters became harder to obtain.  Then, in 2013, Terry brought a box to the museum.  The museum officially sold out of the original run of Toad Hall posters this past January, almost 45 years after it was first printed.

The first official reprint of the Toad Hall Poster is now available to purchase at the Whistler Museum.