Tag Archives: Floyd Wilkie

Early Freestyle on Whistler

When the first Toni Sailer Summer Ski Camp was held on Whistler Mountain during the summer of 1966, the camp focused mainly on racing and was motivated partly by the need for competitive skiers to stay in shape and improve their technique between competition seasons.  This focus changed as more recreational skiers began participating in the camps with an interest in improving their own skills under the guidance of skiers such as Toni Sailer, Nancy Greene and Alan White.  It wasn’t until the summer of 1973, however, that freestyle was included in the Ski Camp programming and the legendary Wayne Wong began coaching on Whistler, reflecting a change in the sport of skiing.

The staff of the 1969 Summer Ski Camp, including another freestyle skiing legend, Dag Aabye. Whistler Mountain Ski Corporation Collection.

At the time, freestyle skiing was still a relatively young sport.  The first recorded freestyle skiing competitions in the United States were not held until the mid-1960s and it was not until 1969 that the first instructional program began at Waterville Valley in New Hampshire.  In 1971 Waterville Valley hosted the first Professional Freestyle Skiing Competition, drawing together competitive skiers from across North America.  These skiers included Wayne Wong, George Askevold and Floyd Wilkie, all of whom decided to stay at Waterville Valley as coaches of the first Freestyle Ski Team.

We don’t know when exactly the first freestyle skiing competition was held on Whistler Mountain but by the spring of 1971 there was enough demand that Garibaldi Lifts Ltd. hosted the first annual Aerial Ski Acrobatic Championship and Hot Shot Contest.  In 1973 freestyle skiing became part of the Toni Sailer Summer Ski Camp programming under the direction of Wong, Askevold and Wilkie, providing more formal training for skiers interested in the growing sport and “teaching youngsters to ski the ‘Wong Way’.”

Three well-known hot dog skiers show off their style in 1973 at the Tony Sailer Summer Ski Camp. Left to right: George Askevold, Wayne Wong and Floyd Wilkie.  Whistler Mountain Ski Corporation Collection.

In the spring of 1974, Whistler Mountain expanded its freestyle offerings with a spring Freestyle Skiing Camp for “youngsters who can ski parallel, but who want to master some of the popular new maneuvers of freestyle under competent coaching.”  According to Garibaldi’s Whistler News, the “newest tricks” such as skiing sideways, backwards or upside down were becoming more common on Whistler, but were also risky, especially without training or instruction.  They decided to provide an opportunity to explore techniques and tricks under the tutelage of Michel Daigle, Tetsuo Fuji, and Bob Dufour.

Michel Daigle demonstrates his synchronized skills during a competition on Whistler Mountain. Whistler Mountain Ski Corporation Collection.

While freestyle skiing was becoming increasingly popular through the 1970s, it was not officially recognized as a sport by the FIS until 1979, when international regulations and certifications were introduced.  The next year saw the first FIS Freestyle Skiing World Cup with event in moguls, aerials, and “acroski,” also known as ski ballet.  To win the overall title, skiers had to compete in all three disciplines.

In 1986 the first FIS Freestyle World Ski Championships were held in Tignes, France, and then demonstration events were held at the 1988 Winter Olympics in Calgary.  Over the next two decades, more and more freestyle skiing events joined the Olympic line up, beginning with moguls in 1992, aerials in 1994, ski cross in 2010 and, most recently, halfpipe and slopestyle in 2014.  Unfortunately, ski ballet, though part of competitions and tours in the 1970s and 1980s, did not continue to grow with freestyle skiing in the same way and has not been recognized as an official freestyle discipline since 2000.

Today freestyle skiing looks a little different than it did in the early competition of the 1970s, but it can often be seen on Whistler and Blackcomb Mountains and around the world.

Whistler Characters – Frank “Garage Sale” Salter

In April 2011, we had the chance to sit down with well-known Whistler local Frank “Garage Sale” Salter and talk all things ski. As we head into our next Speaker Series evening featuring Frank, it’s the perfect time to share a post on this avid ski collector.

Frank shows off one of the split tail skis in his collection, photo courtesy of Frank Salter.

Most of his ski collection is stored in a Creekside basement (he has recently taken over the adjoining space as well), although one can find a few pairs adorning the home he shares with his wife and two sons in the form of coat racks. When he started collecting in earnest in 1991, Frank set his upper limit at four dollars, although he admits to spending a bit more at times.

His work in medical research fed his habit, as he travelled for a job that saw him finishing work by around four or five pm. Local thrift shops remained open for an hour or two after that- plenty of time to grab a few new pairs of skis for the collection (a collection which today sits around 500 pairs).

In the 1990s, you could travel with your skis for free, and so bringing multiple pairs of skis back across the border on your flight wasn’t a prohibitively expensive prospect.  Of course, had they known that Frank was significantly exceeding a single pair of skis, it may have been a different story. Armed with a screwdriver, he would remove the bindings and then stack multiple pairs of skis in a ski bag. Today, Salter’s collecting has slowed somewhat. According to him, in spite of Vancouver’s proximity to good skiing, collectible skis are rarely to be had in local thrift shops.

Some pieces from the more obscure corners of ski-gear world can be found in Frank’s collection, including the Nava and the Burt binding. The Navas are immediately jarring to the eye- in his words they look like, “some sort of bizarre device, almost a torture device.” You may not immediately notice the Nava from the front, but if get behind someone on a t-bar skiing on them and the wrap-around arm will be visible. A combination of a soft boot, much like a Sorel boot, and this arm made for a skiing experience that was much like sitting back in a reclining chair.

Some of the obscure retro bindings in Salter’s collection – those would be the Navas at the bottom, photo courtesy of Frank Salter

The Burt binding was less noticeable, unless you were to fall, and then a cable would initially allow the ski to separate from your foot, and then sharply recoil, snapping the ski back against the base of your boot. Sound questionable? Urban legends point to these bindings as the stuff of some gruesome injuries. While that may or may not be true, there is something to be said for keeping these tucked away in storage.

That being said, some pieces of ski history still make it out onto the snow. When we spoke, Frank was having some of his 70s freestyle skis tuned for the notorious “Hot-Doggin’ Party” thrown by Ace MacKay-Smith at the end of each April. Ballet skiing competitions are a part of the fun, and Salter provides the skis as well as some eye-catching one-piece ski suits to those who approach him. One white suit features a particularly stunning large Elvis-style buckle at the waist.

His collection isn’t limited solely to skis, but includes all kinds of ski paraphernalia: goggles, the aforementioned one-pieces, boots, posters, and a few snowboards. Much of Frank’s collection focuses on the 1970s/freestyle period. Asked what drew him to that particular era, he explains, “It was a big era of experimentation. It was everything- a different way of skiing, the clothing, ski graphics. The skis were a little different- shorter and softer. It wasn’t racing, that was the big thing.”

Three well-known hot dog skiers show off their style in 1973 at the Tony Sailer Summer Ski Camp. Left to right: George Oskwold, Wayne Wong and Floyd Wilkie

That’s not to say that experimentation didn’t happen prior to the 1970s- some of Salter’s favorite skis in the collection are aluminum skis from the 1940s and 1950s. Aircraft-industry grade aluminum was used to craft the edges, bindings bases- the whole ski. According to Frank, “They didn’t work, and they were stiff as a two-by-four, but they were still expensive at the time, and they were a good prototype.” Once he started collecting in earnest, he quickly hunted down a few pairs of his first good skis. He suggests that it is those skis that people really feel attached to- not their very first pair, but their first good pair, the pair that made them truly fall in love with skiing.

So where did Frank get his nickname from? While the nickname “Garage Sale” immediately conjures up images of Frank buying skis for the collection, the nickname actually stems from the telemark skis he made for himself and his friends in the early 1990s as he transitioned to a life in the mountains. Telemark skis weren’t readily available at that point, but in Frank’s hands, five-dollar garage-sale skis morphed into ripping tele skis. An article written by Leslie Anthony gave him the nickname, which quickly stuck.

Join us on March 21st from 7-9pm for Frank’s Speaker Series presentation. All the details can be found here.